假期 Ferien

1080P

Arslan says of his staging method: “I attempt to work with the camera as objectively as I can. I see the camera as an autonomous part of filmmaking; it is not there primarily to trigger emotions. I am interested in letting the emotions evolve more indirectly, not in forcing them through the media. This has also something to do with respect for my characters. A close-up shot is not the only way to convey closeness to them.”//filmgalerie451

好看好看 画面好舒服 还有绿色

阿斯兰的「假期」就像是嫉妒同事夏娜莱克而赌气整出来的二流拷贝。度假的自然乐园本就和无聊荒芜的乡下是一体两面，发生转换的根源在哪里，这才是作品本该着力探讨的，无论是在内容层面或是通过形式上的革新。而阿斯兰装作激进的样子，把契诃夫的现实主义继续简化为情感上的迟钝，但内容上陈旧无比的同时，也没有形式上的任何创新。他在美学上远远没能完成反思徳式家庭日常悲剧根源的设想。

一个安静的角落，可以没有任何理由。